What the Light Carries
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About This Book
The light that touches your face right now left the sun eight minutes ago. You have never seen the present sun. No one has.
Every act of writing shares this property. A sentence written at noon arrives at six carrying a meaning the writer did not pack. The gap between sending and receiving is where meaning is made, lost, and transformed.
What the Light Carries is a work of literary fiction structured as twenty-one letters, notes, messages, signals, and encodings, organized by the magnitude of the temporal gap each one attempts to cross. The gap begins at one second and expands to light-years.
Twenty-One Letters
A vascular surgeon dictates an operative report while the patient is still on the table. A cockpit voice recorder captures ninety seconds that a first officer will never mention to his wife. An eleven-word note on a gas bill envelope sits on a kitchen counter for nineteen days. A recipe card annotated by three generations of women carries a sixty-year argument about chocolate. Seven emails to an ex-wife are composed, saved to the drafts folder, and never sent. A family's holiday letter is a masterwork of coordinated dishonesty. A note hidden inside a kitchen wall is found fifteen years later by strangers. A retired librarian returns a book that has been overdue for twenty-seven years. A time capsule is opened eight months after the teacher who sealed it has died.
A homestead deed carries 140 years of silence about the people who were here first. A radio signal broadcasts Chopin and a list of forty-seven names into a frequency no one has monitored for two centuries. A cataloguer in the ruins of New Jersey, 500 years from now, tries to determine what "Netflix" was. A panel of experts attempts to design a warning that will remain legible for ten thousand years. A scientist inscribes the Pythagorean theorem into the DNA of a bacterium that will outlive every human language. And in the final letter, light itself becomes the message, carrying everything the sender gave it and nothing the receiver needs.
The Gap Is the Plot
The book is organized into six parts of escalating temporal magnitude. Part I covers the blink: one second to five minutes. Part II covers the hour. Part III widens to weeks and years. Part IV spans a generation. Part V reaches the century mark. Part VI enters the abyss: ten thousand years, one million years, and finally 4.24 light-years, the distance to Proxima Centauri, which is also zero, depending on your frame of reference.
The widening gap is not a gimmick. It is the argument. As the gap increases, the nature of the correspondence changes. A surgical dictation recorded in real time is a different kind of letter than a set of instructions carved into stone for beings who may not share our alphabet or our concept of danger. But both are attempts to send meaning forward, and both must contend with the same problem: the future is not listening the way the sender hoped.
Not Wisdom Dispatches
These are not wisdom dispatches from a better tomorrow. Nobody here has answers. Several letters contain bad advice, failed communication, institutional dishonesty, and correspondence that never reaches its intended recipient. The letters are written by people who are wrong as often as they are right, petty as often as they are generous, and confused almost all of the time. Their only shared quality is that each one believed, at the moment of writing, that someone on the other end would read them. Whether anyone did is a different question, and the book does not always answer it.
Table of Contents
Prologue: A Note on Distance
Part I · The Blink: “Dictation” · “Runway Four Left” · “Reminders”
Part II · The Hour: “Back by Six” · “The Exam” · “Shift Change”
Part III · The Season: “Recipe Card” · “Instructions for the House Sitter” · “Seasonal Affective” · “The Annual” · “The Wrong Advice”
Part IV · The Generation: “Five-Year Plan” · “To Whoever Finds This” · “The Borrower” · “The Capsule”
Part V · The Century: “The Deed” · “The Frequency” · “The Archive”
Part VI · The Abyss: “The Marker” · “The Code” · “What the Light Carries”
Epilogue: Already Read
Back Matter: Author’s Note · Sources and Forms · About the Author
A Note on the Free PDF
A book about the gap between sending and receiving should not itself be trapped behind a single gate. The free PDF is a fully formatted, 114-page reading edition typeset in Caladea with all fonts embedded, generous margins for comfortable screen reading or home printing, and the complete text including the Author’s Note and Sources and Forms. Download it, read it, share it. If the argument holds, it should circulate freely.
About the Author
David Boles is an author, dramatist, editor, publisher, and teacher. He holds an MFA from the Oscar Hammerstein II Center for Theatre Studies at Columbia University. He is a dues-paying member of the Dramatists Guild, the Authors Guild, and PEN America. He has taught at Columbia, Rutgers, Fordham, NYU, NJIT, and UMDNJ, among other institutions. He founded The United Stage in 1985 and has operated David Boles Books Writing & Publishing since 1975. He is the author of more than fifty books. He lives in New York City with his wife, Janna Sweenie, and their two British Shorthair cats.
He is the host of the Human Meme podcast and the publisher of Boles.com, Boles Blogs, and Prairie Voice.
Author Interview
Further Reading
The God in the Wire: Technology, Meaning, and the Empty Shrine · David Boles Books
The First Thing They Burn: Why War Always Comes for Beauty · Boles Blogs
Miscast: Who Owns the Story on Stage? · David Boles Books
Audiobook Available:
Amazon $19.95See Also
The God in the Wire · Beautiful Numbness · What the Land Remembers · The Dark Matter People · About David Boles